Archive

Music Business

Feature Music Ally

Mexico’s latest music-streaming trend is… emo?

Yes, emo. Well, emo and pop-punk according to Spotify, which has published some data on the recent growth of these genres in its streaming data for Mexico.

Feature MusicRadar

The Making of Jimmy Eat World's "Bleed American"

They had no label, no management and the money was running out, but they had the songs, and a hit that would catch the ear of Taylor Swift, Prince and the rest of the world

Feature Music Business Worldwide

Indonesia scraps song and music copyright registration fee to build a national music database

The change applies only to songs and music, while registration fees for other categories of creative work are unchanged. Source

Feature Music Ally

Luminate study explores Americans’ interest in GenAI content

We’ve seen plenty of surveys exploring how the music industry and musicians feel about AI-generated music, but it’s vital to keep an eye on what actual listeners think too.

Feature MusicRadar

Jimmy Eat World's Bleed American: A life-changing record made under pressure

They had no label, no management and the money was running out, but they had the songs, and a hit that would catch the ear of Taylor Swift, Prince and the rest of the world

Feature NME

DIIV Announces New Album ‘ZIRP!’ Produced by A. G. Cook

The band employed the language of old-school telemarketers, promising the new album would be "the future of alternative multimedia entertainment"

Feature NME

DIIV announce new A. G. Cook-produced album ‘ZIRP!’ via cryptic hotline

The band employed the language of old-school telemarketers, promising the new album would be "the future of alternative multimedia entertainment"

Feature MusicRadar

Jim Adkins and Zach Lind on the making of Jimmy Eat World’s Bleed American

They had no label, no management and the money was running out, but they had the songs, and a hit that would catch the ear of Taylor Swift, Prince and the rest of the world

Feature MusicRadar

Jim Adkins and Zach Lind on the making of Jimmy Eat World’s Bleed American

They had no label, no management and the money was running out, but they had the songs, and a hit that would catch the ear of Taylor Swift, Prince and the rest of the world

Feature MusicRadar

The Making of Jimmy Eat World's 'Bleed American'

They had no label, no management and the money was running out, but they had the songs, and a hit that would catch the ear of Taylor Swift, Prince and the rest of the world

Feature MusicRadar

Jimmy Eat World's Bleed American: A Life-Changing Record Made Independently

They had no label, no management and the money was running out, but they had the songs, and a hit that would catch the ear of Taylor Swift, Prince and the rest of the world

Feature MusicRadar

The Making of Jimmy Eat World's Bleed American

They had no label, no management and the money was running out, but they had the songs, and a hit that would catch the ear of Taylor Swift, Prince and the rest of the world

Feature MusicRadar

The making of Jimmy Eat World's Bleed American

They had no label, no management and the money was running out, but they had the songs, and a hit that would catch the ear of Taylor Swift, Prince and the rest of the world

Feature MusicRadar

The Making of Jimmy Eat World's Bleed American

They had no label, no management and the money was running out, but they had the songs, and a hit that would catch the ear of Taylor Swift, Prince and the rest of the world

Feature MusicRadar

The Enduring Impact of Jimmy Eat World's Bleed American

They had no label, no management and the money was running out, but they had the songs, and a hit that would catch the ear of Taylor Swift, Prince and the rest of the world

Feature MusicRadar

Jimmy Eat World's Bleed American

They had no label, no management and the money was running out, but they had the songs, and a hit that would catch the ear of Taylor Swift, Prince and the rest of the world

Feature MusicRadar

The making of Jimmy Eat World’s Bleed American

They had no label, no management and the money was running out, but they had the songs, and a hit that would catch the ear of Taylor Swift, Prince and the rest of the world

Feature MusicRadar

Jim Adkins and Zach Lind on the making of Jimmy Eat World’s Bleed American

They had no label, no management and the money was running out, but they had the songs, and a hit that would catch the ear of Taylor Swift, Prince and the rest of the world

Feature MusicRadar

Jimmy Eat World's "Bleed American" creation and impact

They had no label, no management and the money was running out, but they had the songs, and a hit that would catch the ear of Taylor Swift, Prince and the rest of the world

Feature NME

A 50 Cent collab and a ringtone album – AFI share terrible advice from record label

“What does that even mean?”