Music Production
“We were running around the studio with as many things plugged in as possible just doing the worst sounds, trying to find the ugliest things”: How Charli XCX's producers ran a jam session through an AI sampling plugin to make No One Lasts Forever
AG Cook and Finn Keane appeared on the Tape Notes podcast with Charli to talk through the making of three tracks from new project Music, Fashion, Film
With ‘In This Bih’,’ Kah-Lo Once Again Has a Dance World Smash — This Time, She’s Ready For It
"I don't make flops," says the Nigerian singer/songwriter/producer and DJ, whose March Chris Lorenzo collab "In this Bih'" is a current club hit.
Pete Townshend Inspired by Stevie Wonder's Producer to Smash Guitars
We revisit the pivotal moment when the young Who guitarist watched Malcolm Cecil take a saw to a bass guitar
Beatskip Records Exhibits Growing Influence Through Artist Momentum
Beatskip Records is demonstrating a clear upward trajectory, with key artists on its roster experiencing significant growth in Spotify followers. This collective rise strongly suggests a shrewd and effective A&R strategy, positioning the label as a notable force in the electronic music landscape.
Pete Townshend Inspired by Stevie Wonder's Producer
We revisit the pivotal moment when the young Who guitarist watched Malcolm Cecil take a saw to a bass guitar
Pete Townshend on Stevie Wonder's producer inspiring guitar smashing
We revisit the pivotal moment when the young Who guitarist watched Malcolm Cecil take a saw to a bass guitar
Howard Jones on Synth Legend's Influence on His Music
“I saw the classical music as my way to get good at playing the pop and rock stuff,” he says
Pete Townshend on Guitar Smashing Inspiration from Stevie Wonder's Producer
We revisit the pivotal moment when the young Who guitarist watched Malcolm Cecil take a saw to a bass guitar
Howard Jones on Synth Legend's Influence
“I saw the classical music as my way to get good at playing the pop and rock stuff,” he says
Howard Jones on Synth Legend's Influence
“I saw the classical music as my way to get good at playing the pop and rock stuff,” he says
Pete Townshend: Stevie Wonder's Producer Inspired Guitar Smashing
We revisit the pivotal moment when the young Who guitarist watched Malcolm Cecil take a saw to a bass guitar
Howard Jones on the influence of a synth legend
“I saw the classical music as my way to get good at playing the pop and rock stuff,” he says
Pete Townshend on Stevie Wonder's producer inspiring him to smash guitars
We revisit the pivotal moment when the young Who guitarist watched Malcolm Cecil take a saw to a bass guitar
Howard Jones on Synth Hero's Influence
“I saw the classical music as my way to get good at playing the pop and rock stuff,” he says
Pete Townshend Inspired by Stevie Wonder's Producer to Smash Guitars
We revisit the pivotal moment when the young Who guitarist watched Malcolm Cecil take a saw to a bass guitar
Pete Townshend on Stevie Wonder's Producer Inspiring Guitar Smashing
We revisit the pivotal moment when the young Who guitarist watched Malcolm Cecil take a saw to a bass guitar
Best Songwriting Plugins For Producers: 7 Tools I’ve Used To Write My Best Ideas
Best songwriting plugins for producers can be a messy search because songwriting means different things depending on where the track is stuck. Sometimes the problem is harmony, sometimes it is arrangement, and sometimes it is getting the first idea out of your head before the session gets overthough
XELTA On AI, Control, And The Physical Pull Of B.D.S.M.
XELTA make their debut on Bézier’s Body Tension / Körperspannung Records with B.D.S.M., a five-track EP built around electro, industrial pressure, EBM, and body music as something physical and confrontational. The project brings together New York producer and composer Bruno Coviello
Howard Jones on the influence of a synth legend
“I saw the classical music as my way to get good at playing the pop and rock stuff,” he says
Pete Townshend on Stevie Wonder's producer inspiring him to smash guitars
We revisit the pivotal moment when the young Who guitarist watched Malcolm Cecil take a saw to a bass guitar