Streaming & Digital
Unison's Digital-First Publishing Rights Management Platform Featured
In this Member Feature, we speak with David Serras Pereira, Licensing and International Manager at Unison about how they've built an independent, multi-territorial publishing rights management platfor
Owen Kiernan Discusses Digital Challenges for Artists and Labels
The next instalment of our Members Voices series is live. Owen Kiernan, Head of Digital at Cr2 Records, on how artists and labels can cut through the noise of more than 120,000 tracks added to DSPs ev
DAXTX's 17% Spotify Follower Surge Signals Emerging Hard Techno Momentum
Within the dynamic landscape of Hard Techno, DAXTX has registered a notable surge in digital engagement. The artist's Spotify follower count experienced a 17% increase, climbing to 1,845, indicating a developing presence and escalating interest within the genre.
KETTAMA's 17% Spotify Follower Surge Points to Emerging Dynamics in Garage
KETTAMA is currently experiencing a notable artist surge, marked by a 17% growth in Spotify followers, reaching a total of 242,376. This significant increase in audience engagement could indicate a broader pattern of shifting listener attention within the Garage genre.
Olle Boerg's Rapid Rise Signals Emerging Electronic Music Trends
Swedish artist Olle Boerg is demonstrating a significant surge in audience engagement, marked by a 422% increase in Spotify followers, reaching 1,306. This rapid expansion suggests a burgeoning interest in their sound within the electronic music landscape.
Éadrom's Recent Surge Signals Emerging Artist Momentum on HARM Recordings
HARM Recordings observes a notable artist surge, spearheaded by Éadrom, whose Spotify presence has recently demonstrated a significant increase. This pattern may suggest a nascent but impactful shift in listener engagement with emerging talents on the label.
AFEM x DDEX Present: The Hidden Infrastructure of Music Rights
A simple question, "why can't this just work?", sparked one of AFEM's most popular member roundtables and an industry report on the friction across music data, rights and royalties. On 2 July, AFEM an
Producer recalls overcoming tech issues for first all-digital #1 single
“It was like, you know, Thomas Edison or something," says Desmond Child. "We made it all the way to number one in a completely digitised format”
AFEM x DDEX Report on Music Rights Infrastructure
A simple question, "why can't this just work?", sparked one of AFEM's most popular member roundtables and an industry report on the friction across music data, rights and royalties. On 2 July, AFEM an
“We called it Slow Tools. I mean, we’d have 19 breakdowns a day": How the producer of Ricky Martin's Livin' La Vida Loca overcame troublesome tech to make recording history with the first all-digital number one single
“It was like, you know, Thomas Edison or something," says Desmond Child. "We made it all the way to number one in a completely digitised format”
AFEM x DDEX Report on Music Rights Infrastructure
A simple question, "why can't this just work?", sparked one of AFEM's most popular member roundtables and an industry report on the friction across music data, rights and royalties. On 2 July, AFEM an
Music Rights Infrastructure Report
A simple question, "why can't this just work?", sparked one of AFEM's most popular member roundtables and an industry report on the friction across music data, rights and royalties. On 2 July, AFEM an
AFEM and DDEX Address Music Rights Infrastructure
A simple question, "why can't this just work?", sparked one of AFEM's most popular member roundtables and an industry report on the friction across music data, rights and royalties. On 2 July, AFEM an
AFEM and DDEX Address Music Rights Infrastructure
A simple question, "why can't this just work?", sparked one of AFEM's most popular member roundtables and an industry report on the friction across music data, rights and royalties. On 2 July, AFEM an
Stream On This Week: Another Questlove Triumph, Some Delicious Trashy Drama, and Some Dang Culture
Here's what to stream the weekend of June 19th. Stream On This Week: Another Questlove Triumph, Some Delicious Trashy Drama, and Some Dang Culture Liz Shannon Miller
AFEM and DDEX Address Music Rights Infrastructure
A simple question, "why can't this just work?", sparked one of AFEM's most popular member roundtables and an industry report on the friction across music data, rights and royalties. On 2 July, AFEM an
Stream On This Week: Another Questlove Triumph, Some Delicious Trashy Drama, and Some Dang Culture
Here's what to stream the weekend of June 19th. Stream On This Week: Another Questlove Triumph, Some Delicious Trashy Drama, and Some Dang Culture Liz Shannon Miller
Robin Thurston On “Equinox,” Nick Warren’s Support, And Progressive House That Takes Its Time
Robin Thurston (@robin_thurston) has been a familiar name for progressive house listeners who pay attention to melody, structure, and patience in a record. His catalog has touched labels including Particles, Soundteller, Bonzai, Emergent Properties, ARRVL, AH Digital, BC2, and The Soundgarden, with
Music industry happy as NO FAKES Act progresses further in US Congress, though criticism remains on free speech grounds
The NO FAKES Act, which will introduce a new digital replica right in the context of AI, was unanimously advanced by the US Senate’s Judiciary Committee yesterday. The move has been welcomed and applauded by the music industry, though some groups still oppose the proposals on free speech grounds
Penske Media Corporation acquires digital publisher Vox Media
Having already snaffled Billboard, Variety, Rolling Stone and The Hollywood Reporter as part of its corporate expansion, Penske Media Corporation (PMC) has now made its next acquisitive move. The company is buying Vox Media, the digital publisher whose brands include The Verge, SB Nation, Popsugar,