Streaming & Digital
Owen Kiernan on Cutting Through Digital Noise
The next instalment of our Members Voices series is live. Owen Kiernan, Head of Digital at Cr2 Records, on how artists and labels can cut through the noise of more than 120,000 tracks added to DSPs ev
Project 91 Launches Playgrounds Live Experiences Platform
The New York-based events company confirmed that Playgrounds will serve as an umbrella platform for concerts, branded experiences, and destination events Source
Unison Discusses Digital Music Publishing with AFEM
In this Member Feature, we speak with David Serras Pereira, Licensing and International Manager at Unison about how they've built an independent, multi-territorial publishing rights management platfor
Owen Kiernan discusses cutting through digital noise
The next instalment of our Members Voices series is live. Owen Kiernan, Head of Digital at Cr2 Records, on how artists and labels can cut through the noise of more than 120,000 tracks added to DSPs ev
Unison's Digital Publishing Rights Management Platform
In this Member Feature, we speak with David Serras Pereira, Licensing and International Manager at Unison about how they've built an independent, multi-territorial publishing rights management platfor
Owen Kiernan on Cutting Through the Noise
The next instalment of our Members Voices series is live. Owen Kiernan, Head of Digital at Cr2 Records, on how artists and labels can cut through the noise of more than 120,000 tracks added to DSPs ev
Amapiano's Digital Pulse: Sam Deep's 15% Spotify Follower Surge Underlines Emerging Artist Momentum
Sam Deep's recent 15% increase in Spotify followers, elevating his count to 1,187,019, marks a significant artist surge within the Amapiano genre. This notable metric shift appears to reflect evolving digital engagement and a burgeoning audience for the artist.
Unison's Digital-First Publishing Rights Management Platform Featured
In this Member Feature, we speak with David Serras Pereira, Licensing and International Manager at Unison about how they've built an independent, multi-territorial publishing rights management platfor
Owen Kiernan Discusses Digital Challenges for Artists and Labels
The next instalment of our Members Voices series is live. Owen Kiernan, Head of Digital at Cr2 Records, on how artists and labels can cut through the noise of more than 120,000 tracks added to DSPs ev
DAXTX's 17% Spotify Follower Surge Signals Emerging Hard Techno Momentum
Within the dynamic landscape of Hard Techno, DAXTX has registered a notable surge in digital engagement. The artist's Spotify follower count experienced a 17% increase, climbing to 1,845, indicating a developing presence and escalating interest within the genre.
KETTAMA's 17% Spotify Follower Surge Points to Emerging Dynamics in Garage
KETTAMA is currently experiencing a notable artist surge, marked by a 17% growth in Spotify followers, reaching a total of 242,376. This significant increase in audience engagement could indicate a broader pattern of shifting listener attention within the Garage genre.
Olle Boerg's Rapid Rise Signals Emerging Electronic Music Trends
Swedish artist Olle Boerg is demonstrating a significant surge in audience engagement, marked by a 422% increase in Spotify followers, reaching 1,306. This rapid expansion suggests a burgeoning interest in their sound within the electronic music landscape.
Éadrom's Recent Surge Signals Emerging Artist Momentum on HARM Recordings
HARM Recordings observes a notable artist surge, spearheaded by Éadrom, whose Spotify presence has recently demonstrated a significant increase. This pattern may suggest a nascent but impactful shift in listener engagement with emerging talents on the label.
AFEM x DDEX Present: The Hidden Infrastructure of Music Rights
A simple question, "why can't this just work?", sparked one of AFEM's most popular member roundtables and an industry report on the friction across music data, rights and royalties. On 2 July, AFEM an
Producer recalls overcoming tech issues for first all-digital #1 single
“It was like, you know, Thomas Edison or something," says Desmond Child. "We made it all the way to number one in a completely digitised format”
AFEM x DDEX Report on Music Rights Infrastructure
A simple question, "why can't this just work?", sparked one of AFEM's most popular member roundtables and an industry report on the friction across music data, rights and royalties. On 2 July, AFEM an
“We called it Slow Tools. I mean, we’d have 19 breakdowns a day": How the producer of Ricky Martin's Livin' La Vida Loca overcame troublesome tech to make recording history with the first all-digital number one single
“It was like, you know, Thomas Edison or something," says Desmond Child. "We made it all the way to number one in a completely digitised format”
AFEM x DDEX Report on Music Rights Infrastructure
A simple question, "why can't this just work?", sparked one of AFEM's most popular member roundtables and an industry report on the friction across music data, rights and royalties. On 2 July, AFEM an
Music Rights Infrastructure Report
A simple question, "why can't this just work?", sparked one of AFEM's most popular member roundtables and an industry report on the friction across music data, rights and royalties. On 2 July, AFEM an
AFEM and DDEX Address Music Rights Infrastructure
A simple question, "why can't this just work?", sparked one of AFEM's most popular member roundtables and an industry report on the friction across music data, rights and royalties. On 2 July, AFEM an